THE DAME WAS CALLING FOR SEXUAL LIBERATION BEFORE IT WAS EN VOGUE. A STANDOUT COLLECTION IN WESTWOOD’S 90S OEUVRE SPRING SUMMER 1992 “SALON” FEATURED A MIX OF HER NEW LUXURIOUS AESTHETIC, WHILE AT THE SAME TIME KEEPING EVERYTHING INTACT THAT MADE HER DESIGNS SUBVERSIVE AND UNIQUE. ANDROGYNOUS MODELS FILLED THE RUNWAY WITH SILK PINSTRIPED SUITS, BILLOWY DRESSES, SKIMPY SKIRTS AND JEANS MADE OUT OF FLEECE FOR AN UNKEMPT LOOK. FRANCOIS BOUCHER’S PAINTINGS ALSO MADE AN APPEARANCE FROM DENIM JACKETS TO CORSETS AND VARIOUS ACCESSORIES. WESTWOOD CHANNELED THE PASTORAL AESTHETIC OF THE ROCOCO ARTIST. A PIECE SYNONYMOUS WITH HER COLLECTION, THESE PRINTED PANTS, FEATURE A SALON PRINT THROUGHOUT THE ENTIRETY OF THE LEG.
